Tag Archives: aparoksha

mANDUkya upaniShad Part 3

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Mantra 2

*** Read Part 2 ***

सर्वं ह्येतद् ब्रह्मायमात्मा ब्रह्म सोऽयमात्मा चतुष्पात् || 2 ||

sarvaM hyetad brahmAyamAtmA brahma so.ayamAtmA chatuShpAt

sarvaM etad – Everything here
hi – (is)certainly
brahma – brahman.
ayam AtmA – This Atman
brahma – (is) brahman.
saH ayam AtmA – This very Atman
chatuShpad (= chatur + pAda) – (has) four aspects.

Absolutely everything is brahman. This Atman is brahman and has four aspects.

In the first mantra, OM was said to be everything. (How this is so will be analyzed in mantras 8 – 12.) The Upanishad now asks what is the nature of this Self, Atman; mantras 2 – 7 make this enquiry.

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From the Grossest to the Subtlest – 2/2

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Part – 1

Narada climbs up the staircase from Name up to Spirit almost hopping and jumping spurred by his own enthusiasm and curiosity.   He asks his venerable teacher at each step after meditating, “What’s next?”  He, however, falls absolutely silent after meditation at the level of Spirit, the 15th itself. He has another flight of steps to take to reach the Ultimate, the Absolute!

Swami Krishnananda of the Divine Life Society tells us that the 7th chapter of the Upanishad expounds the magnificent doctrine of the bhuma, the Absolute, the plenum of Being, the fullness of Reality. But also cautions us that “As we go further and further in this chapter, we will find it is more and more difficult to understand the intention of the Upanishad. The instructions are very cryptic in their language. Even the Sanskrit language that is used is very archaic, giving way to various types of interpretations.” Though the words may look familiar, their meaning is significantly different and connote a much deeper sense. Continue reading →

From the Grossest to the Subtlest – 1/2

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Shankara opens his commentary on the 6th chapter of chAndogya with a very brief intro. bringing out the context of Svetaketu’s story and its relationship (sambandha) to the rest of the Upanishad. He says that the 6th chapter explains two important points, which are:

  1. “How this whole universe proceeds from, subsists in and becomes absorbed (or merged) into brahman because the seeker has been previously ASKED TO MEDITATE, free from all love and hate and being self-controlled, upon that universal brahman to be the source, sustainer and dissolver at 3.14.1 of the Upanishad”; and
  2. “How when the Knower of the Truth has eaten, the whole universe becomes satiated.”

Appropriately enough, after the completion of the 16 sections, at the end of the chapter, he makes the following concluding remarks:

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Vedanta the Solution – Part 56

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VEDĀNTA the solution to our fundamental problem by D. Venugopal

Part 56 concludes the examination of the idea that enlightenment involves an ‘experience’ – this is a misunderstanding of the concept of anubhava. And there is an extended analysis of the ‘tenth man’ metaphor, showing how the mahavAkya-s can give direct knowledge of the Self – aparokSha j~nAna.

There is a complete Contents List, to which links are added as each new part appears.

Seven Stages of Chidabhasa

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chidAbhAsaGuest Author – Vijay Pargaonkar
Seven Stages of Chidabhasa

Based on Panchadasi by Vidyaranya Swami

Chapter 7.0 “Trupti Deepa”(marathi translation by Pundit Vishnu Shastry Bapat (1908) and hindi translation by Pundit Ramavatar Vidyapati (1912))

Brihadaranyaka Upanishad 4-4-12
br4-4-12

 

 

“If a man knows the Self as “I am This” then desiring what and for whose sake will he suffer in the wake of the body.”
(The entire Trupti Deepa chapter of Panchadasi is based on this shruti mantra)

Kutastha, the pure Consciousness, is asanga (without any association) and avikari (immutable). This Kutastha is also the adhisthana (substratum) of “bhrama” (illusions- not to be confused with Brahman) of indriya-sharira (body- mind complex). When it gets associated (the association is only vyavaharic/transactional and not real) with mind through anyonya-adhyasa (mutual superimposition) it is known as Jiva. Kutastha’s reflection in mind “chidabhasa” alone cannot be the Jiva since it has no existence of its own without Kutastha – image in a mirror is not possible unless there is a face behind it. The mixture/combination of chidabhasa and Kutastha is also referred to as purusha in the the shruti above. Continue reading →