The Critique of Pure Reason is a long and intricate text. Most of what I discussed in Parts I and II is material covered just in the Introduction! In this final installment of our Kant series, we’ll briefly discuss the first formal section of the CPR, the Transcendental Aesthetic, where Kant elucidates his radical view of space and time. Also, from a later section of the critique, we will examine Kant’s notion of the transcendental synthetic unity of apperception, and I will argue that he is essentially talking about Atman in Western philosophical terms. Continue reading →