Quintessence of 10 Upanishads – 32 (aita 3)

[Part – 31 (aita 2)]

The aitareya Upanishad next presents a teaching story to unfold a profound philosophical truth.

It first describes the creation of the celestial deities, the presiding powers that govern the universe. Having brought forth the worlds, the Creator projected these deities, who then approached Him and said, in effect, “The world is our food, and we are its enjoyers. Where shall we abide to experience it?” The gods here represent the powers that function through the organs of perception and action.

ताभ्यो गामानयत्ता अब्रुवन्न वै नोऽयमलमिति । — mantra 1.2.2, aitareya upa.

[Meaning: For them He (i.e. the Creator God) brought a cow. They said, “This one is not certainly adequate for us.” ]

The Creator first produced the body of a cow and then that of a horse. The gods found neither suitable.  Continue reading

Quintessence of 10 Upanishads – 31 (aita 2)

[Part – 30 (aita 1)]

From the two facts that 

(i)   no percept (a perceivable object) can be known unless it is illumined by Knowingness; and, 

(ii)  all percepts are contained within Knowingness;

it follows that the known depends on Knowing and not the other way round. The seen depends upon the seer. The witnessing seer alone is the evidence for the existence of any object. Without a perceiver, there would be no experienced world. This is the meaning behind the Vedāntic statement that the world is mAyA or mithyA. Its appearance is called AbhAsa—a fallacious appearance.

The individual (jIva) too is of the same essential nature as Knowingness. The difference is only that the individual appears limited, whereas Knowingness is unlimited. The knower and the known, the individual and the world, are both appearances within the one Infinite Knowingness.

Why then do we fear the world?

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Quintessence of 10 Upanishads – 30 (aita 1)

[Part – 29 (taitti 4)]

8.  aitareya Upanishad:

The taittirIya Upanishad concludes with the ecstatic Vedic chant (sung by realized Sages) that “I am food; I am the eater of the food.” Here, “food” is not merely what is eaten from a plate. Whatever is consumed is food. The four elements—earth, water, fire, and air—are served to us on the vast platter of space. We consume them directly or in the countless forms they assume.

Our consumption is not merely through the mouth. The mind also feeds continuously. From birth until death it devours impressions, memories, relationships, possessions, emotions, hopes, fears, and ideas about this world and even other worlds. All these constitute food for the mind.

Thus, “food” in the mantra stands for the entire field of experience. The eater is the individual (jīva); the eaten is the world. In Vedāntic language, the eater is the knower and the food is the known. Everything cognized belongs to the world of names and forms.

The Upaniṣhad therefore ends by bringing together the knower and the known and declaring that both are included in “I.” Hence the sage proclaims, “I am the world and I am the individual.”

When both the individual and the world dissolve into “I,” no boundary remains between them. This naturally raises the crucial question: Who or what is this “I”?

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Quintessence of 10 Upanishads – 29 (taitti 4)

[Part – 28 (taitti 3)]

Fear occurs when there is an “other”—a second object. Oneness, by contrast, is fearlessness. When the world is taken to be real and external, it appears as a constant source of threat and insecurity. This fear born of the world is sustained only as long as we attribute independent reality to it (saṃsāra). Once its dependent and insubstantial nature is understood, fear naturally subsides.

This is illustrated by the familiar analogy of the rope and the snake. In dim light, a rope is mistaken for a snake, and fear instantly arises. However, when the rope is recognized for what it truly is, the imagined snake vanishes, and with it goes the fear. Under the spell of ignorance, reality appears divided, and this apparent division gives rise to fear. When ignorance is removed through knowledge, the division is recognized as merely apparent, just as darkness vanishes in the presence of light.

The Upanishad concludes this vision with the declaration:  Continue reading

Advaita in the Vedas – Rig Veda 4.27.1

Following on from the last post, another of Vamadeva’s mantras from the Rig Veda is quoted in the Upanishads:  

It was said by the ṛsi:
“While in the womb I fully knew
The births of all the gods.
A hundred citadels of iron surrounded me.
A hawk, I flew out with speed.”
Vāmadeva said that while lying in the womb. [1]

The mantra in question is Rig Veda 4.27.1. Because of it, Vamadeva is sometimes known as a rishi who became liberated in the womb. However, this is not the full picture of the verse. For one, we have no explanation for why and how he became liberated.

Looking at the symbolism in the mantra shows its deeper truth and how Vamadeva “became immortal” through knowing Brahman [2].  Continue reading

Shankara at 1.4.10, brihadAraNyaka

Revered Shankara is by nature a perfect and committed bhAShyakAra (Commentator) that he never deviates from the text on which he is commenting upon. He always stays within the bounds of the purport of the textual line. He abhors to venture out to  exploring the connected lanes and bylanes related to the topic or give vent to his own ideas based on his knowledge. However, in the entire corpus of the bhAShya literature of his, there are a few places where he takes liberty to make certain observations of his own on the verse/mantra that he happens to be commenting on. Very rare precious gems, unavailable for the reader anywhere else in the whole gamut of shruti and smriti lore, come out from his pen at those few occasions. One such instance that immediately comes to mind is his expanded commentary at 13.2, BGB where he lets out the fact that the ignorance of not knowing one’s own true nature belongs to that very person who thinks he has ignorance. He raises the question and answers it himself: Continue reading

The Great Indian Rope Trick:

The famous Indian Rope Trick is Shankara’s favorite to illustrate how the world or an individual separate ‘self’ originates. He says that it is like the mesmerizing show created by a Magician, himself being unaffected and uninvolved and standing unseen, “veiled magically,” on the ground. Here are three instances where Shankara refers to the Rope Trick in his Commentaries:

Shankara @ Verse 7, Ch 1, Gaudapada kArikA on mANDUkya:

The magician throws the rope up in the sky, climbs it with hands, disappears from sight (of the spectators), engages himself in a fight (in the sky) in which his limbs, having been severed, fall to the ground and he rises again. The onlooker, though witnessing the performance, does not evince any interest in the thought in regard to the reality of the magic show performed by the magician. Similarly, there is a real illusionist who is other than the rope and the one that climbs up the rope. Continue reading