Tag Archives: brahma sUtras

Searchable ‘prasthAna trayI’ Database:

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The दक्षिणाम्नाय श्रीशारदापीठम्, शृङ्गेरी (dakShinAmnAya shrI shAradA pITham of Sringeri) launched with the blessings of Shri Bharati Tirtha Mahaswami, a modest “searchable” database of Shankara bhAShya-s on the three canonical texts of Advaita over six years ago – on the Shankara Jayanti on May, 20, 2014.

Without doubt it is a stupendous and fantastic job carried out by several dedicated workers from  The Sringeri Math at Srirangam;  The Sri Shankara Advaita Research Centre, Sringeri; Sriranga Digital Software Technologies, Srirangapatna and many others. The first offering of Advaita Sharada is a text searchable, extensively hyperlinked Internet edition of the Sri Shaankara Granthavali, published by the Vani Vilasa Press, Srirangam. It has been under constant improvement  ever since and since about a year ago, additional texts like prakaraNa grantha-s, commentaries and sub-commentaries have been added to it. There are also plans to introduce multimedia “Leveraging audio, video, commentaries, sub-commentaries, notes, tags and hyperlinks,” and “to provide a platform for in-depth research and additional learning for seekers, scholars and students.”

The link to the top page is:  https://advaitasharada.sringeri.net/

The page comes with 5 Navigation buttons at the top. They are: Continue reading →

The Great Indian Rope Trick:

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The famous Indian Rope Trick is Shankara’s favorite to illustrate how the world or an individual separate ‘self’ originates. He says that it is like the mesmerizing show created by a Magician, himself being unaffected and uninvolved and standing unseen, “veiled magically,” on the ground. Here are three instances where Shankara refers to the Rope Trick in his Commentaries:

Shankara @ 7, Ch 1, Gaudapada kArikA on mANDUkya:

The magician throws the rope up in the sky, climbs by it with hands, disappears from sight (of the spectators), engages himself in a fight (in the sky) in which his limbs, having been severed, fall to the ground and he rises again. The onlooker, though witnessing the performance, does not evince any interest in the thought in regard to the reality of the magic show performed by the magician. Similarly, there is a real illusionist who is other than the rope and the one that climbs up the rope. Continue reading →