There has been an interesting discussion going on at one of the Online Advaita fora on Self-inquiry. One of the discussants posted the view of the well-known 16th Century Advaitin, Swami Madhusudana Saraswati in understanding the oft-quoted statement, “All this is the Self.” Madhusudana Saraswati says in his magnum opus, Advaita siddhi as follows:
एतच्च सर्वमुक्तं विवरणे – निषप्रपञ्चास्थूलादिवाक्यानुसारेण ‘इदं सर्वं यदयमात्मे’ त्यादीनि निषेध्यसमर्पकत्वेनैकवाक्यतां प्रतिपद्यन्ते ; सुषुप्तौ निष्प्रपञ्चतायां पुरुषार्थत्वदर्शनादिति |
Meaning: All this has been said in the panchapAdikA vivaraNa – Sentences such as “All this is the Self” must be interpreted in such a way as to indicate the negation of the world’s reality, so that there is consistency of meaning with sentences that reveal the nature of brahman as one completely devoid of the world, such as “not gross”, etc; for the achievement of the fundamental aims of human existence lies in the attainment of brahman in which the world is completely absent, which is experienced in deep sleep. [English Translation by: Sri S. Venkatraghavan. Accension by me.] Continue reading
[The world and everything in it are imaginary (mithya) ‘names and forms’! Therefore, tradition depicts Ishwara as a pauper because he does not possess any worldly wealth. However, he transcends the worldly objects and is said to be an embodiment of the Self. In contrast, Kubera possessed a lot of worldly treasures, a collection of mere names and forms, but lacked the real wealth of Self-knowledge. So, he sought guidance from Ishwara.]
Narada climbs up the staircase from Name up to Spirit almost hopping and jumping spurred by his own enthusiasm and curiosity. He asks his venerable teacher at each step after meditating, “What’s next?” He, however, falls absolutely silent after meditation at the level of Spirit, the 15th itself. He has another flight of steps to take to reach the Ultimate, the Absolute!
Shankara opens his commentary on the 6th chapter of chAndogya with a very brief intro. bringing out the context of Svetaketu’s story and its relationship (sambandha) to the rest of the Upanishad. He says that the 6th chapter explains two important points, which are: