Q. 353 – Witness to the boredom

Q: I have a problem with the boredom of everyday life. Nothing seems to satisfy me. I just find it so difficult to be just here in the moment and be content with that. You say: go through life and work etc, but as a witness to it all.

Am I living in moment as I should? Should I give all my attention to each action, so that the ego is absent or should I just be the witness of everything every action on a moment to moment basis?

Maybe if I understand how to live in the moment better and had some clarification, that would help me stay present and focused on just living. My mind lives in the future.

(Note: I have reworded the question slightly but some of the replies quote from the original question. Apologies for any confusion!)

Answers are provided by: Sitara, Ted, Ramesam, Martin and Dennis. Continue reading

Q. 352 – sexual desire and happiness

Q: I have read the book ‘How to Meet Yourself’. I understand I think about desire; that it is a searching for a return to our natural state of happiness. I understand that we are already that, but when around women or just bored I start moving toward pornography to get relief from the desire. How exactly can I just access this happiness? Do I not take the desire seriously and not look at women, or do I need a more practical way to cope and not go down this spiritual route so to speak?

Answers are provided by: Ramesam, Sitara, Ted, Martin and Dennis. Continue reading

What is Death – Mythology ll (Tristan and Isolde) – part 5

 

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The power of the feminine principle (Shakti, Prakrit-Nature): Creation, Life, Nurturing – and its cycles. Also representing desire, as well as beauty. Woman, however, (embodiment of the Goddess) can also be redemptress (e.g. Mary in Christianity).

In Wagner’s opera ‘Tristan und Isolde’, desire is linked with Life, and Love with death –  sacrificial death (Liebestod), which admits of multiple implications and interpretations. The Romantic hero – and Wagner was one, at least ideally – could only be redeemed by and through woman; in that opera love could not be fulfilled in earthly terms (for it was unlawful). The Romantic ideal was a combination of love, sacrifice, transcendence, union – union through the transcending of the human personality, of individuality itself. Is this not a universal theme, as well as being very German?. In Wagner’s own words, “What Destiny separated in life emerges as life transfigured by death”.  Continue reading

Q.343 – Meaning of Ishopanishad mantra

Q : The second line in the first Shloka of Ishopanishad begins with ” Tena tyaktena Bhunjeeta”. The literal meaning appears to be ” therefore, enjoy with a sense of tyaga or renunciation (as everything created in this world is permeated by Ishwara) but Adi Shankaracharya has interpreted these words to mean ” protect ourselves”. Is there a satisfactory explanation for this interpretation? 

Also, the second word of first verse of Ishopanishad: is it vasam (is full) or vasyam (should be considered full). Shankara says vasyam. Vasam appears more logical to me.

A (Ramesam): In order to fully appreciate and admire the beauty and profundity hidden behind the simplicity of a cryptic statement, one ought to know the background and the context against which that expression gets developed.  It is as much true when we talk of an equation such as E = mc^2 or a routine proverb like ‘Still waters run deep.’ Continue reading