mANDUkya upaniShad Part 5

Mantra 4

*** Read Part 4 ***

स्वप्नस्थानोऽन्तःप्रज्ञः सप्ताङ्ग एकोन्विंश्तिमुखः प्र्विविक्तभुक् तैजसो द्वितीयः पादः॥ ४॥

svapnasthAno.antaHpraj~naH saptA~Nga ekonaviMshatimukhaH praviviktabhuk taijaso dvitIyaH pAdaH || 4 ||

dvitIyaH pAdaH – The second aspect (of the Self)
taijasa – is called taijasa.
svapna sthAna – (Its field of action is) the dream state.
antaHpraj~naH – (Consciousness is) turned inwards (as opposed to the waking state in the previous mantra, where it was turned outwards).
sapta a~Nga – (As with the waking state) (it has) seven divisions.
viMshati mukhaH – (and) nineteen interfaces.
praviviktabhuk taijasotaijasa is the enjoyer (bhug = bhuk = bhoktA; experiencer, enjoyer) of the private, internal world (pravivikta).

The second aspect of the Self is taijasa. This is the dream state in which one’s awareness is turned inwards. taijasa has seven parts and experiences the dream world via 19 interfaces.

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mANDUkya upaniShad Part 4

Mantra 3

*** Read Part 3 ***

जाग्रितस्थानो भिष्प्रज्ञः सप्ताङ्ग एकोन्विंश्तिमुखः स्थूलभुग्वैश्वानरः प्रथमः पादः॥ ३॥

jAgaritasthAno bahiShpraj~naH saptA~Nga ekonaviMshatimukhaH sthUlabhugvaishvAnaraH prathamaH pAdaH || 3 ||

prathamaH pAdaH – The first aspect (of the Self)
vaishvAnara – is vaishvAnara (or vishva)
jAgaritasthAna – (This is) the waking state
praj~na – (and it is one in which one’s) knowing awareness
bahis – (is) turned outwards
sapta a~Nga (a~Nga literally means ‘limb’) – (This aspect has) seven divisions  ekonaviMshatimukhaH – and nineteen interfaces (with the outside world) (viMshati is ‘twenty’ and ekona is ‘one less than’; mukha literally means ‘mouth’ or ‘opening’)
sthUlabhugvaishvAnaraH  – vaishvAnara (is) the enjoyer (bhug = bhuj = bhoktA; experiencer, enjoyer) of the gross world.

The first aspect of the Self is vaishvAnara. This is the waking state in which one’s awareness is turned outwards to the external world. vaishvAnara has seven parts and experiences the universe via 19 interfaces.

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mANDUkya upaniShad Part 3

Mantra 2

*** Read Part 2 ***

सर्वं ह्येतद् ब्रह्मायमात्मा ब्रह्म सोऽयमात्मा चतुष्पात् || 2 ||

sarvaM hyetad brahmAyamAtmA brahma so.ayamAtmA chatuShpAt

sarvaM etad – Everything here
hi – (is)certainly
brahma – brahman.
ayam AtmA – This Atman
brahma – (is) brahman.
saH ayam AtmA – This very Atman
chatuShpad (= chatur + pAda) – (has) four aspects.

Absolutely everything is brahman. This Atman is brahman and has four aspects.

In the first mantra, OM was said to be everything. (How this is so will be analyzed in mantras 8 – 12.) The Upanishad now asks what is the nature of this Self, Atman; mantras 2 – 7 make this enquiry.

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mANDUkya upaniShad Part 2

*** Read Part 1 ***

Mantra 1

हरिः ॐ।
ॐ इत्येतदक्शर्मिदं सर्वं तस्योपव्याख्यानं भूतं भवद्ः भ्विष्य्दिति सर्वमोंकार एव।
यच्चान्यत्ः त्रिकालातीतं तदप्योंकार एव॥ १॥

hariH OM |
OM ityetadakSharamidaM sarvaM tasyopavyAkhyAnaM bhUtaM bhavadH bhaviShyaditi sarvamoMkAra eva |
yachchaanyatH trikAlAtItaM tadapyoMkAra eva || 1 ||

OM iti etad akSharam – Thus, this syllable OM
idam sarvaM – (is) all this.
tasya upavyAkhyAna – The explanation begins with this:
oMkAra – the syllable OM (is)
iti eva – thus truly
sarvaM – everything –
bhUta – past,
bhavat – present
bhaviShyat – (and) future.
yat cha anya – and what is other than
atIta – transcending these
trikAla – three time periods
tat eva – even is that only
oMkAra – OM
api – as well.

The syllable OM is everything. The explanation follows (with this Upanishad). All that is past, present and future is OM. And, whatever is beyond the three periods of time, that too is only OM.

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mANDUkya upaniShad Part 1

I have just started reading the massive commentary on the mANDUkya, Gaudapada kArikA-s and Shankara bhAShya (if it was Shankara) by Divyaj~nAna Sarojini VaradarAjan, so I thought it might be appropriate to post my own translation and commentary on the Upanishad itself from ‘A-U-M’.

The VaradarAjan book is in two volumes and, as far as I am aware, is only available from Exotic India at £65 to post to the UK. Only 500 copies were printed and these may sell out quickly as her Upanishad commentaries are unparalleled.

My own book ‘A-U-M: Awakening to Reality’ is a ‘by topic’ rather than verse by verse commentary, although it does cover all of the material. The specific translation and commentary on the 12 verses of the Upanishad itself are relegated to an Appendix, since the material is rather ‘dense’, and the tone less ‘conversational’ than the main body of the book. It is available from Amazon:

Book ($34.95): Buy from Amazon US; Kindle ($16.49): Buy from Amazon US

Book (£20.99): Buy from Amazon UK; Kindle (£6.99): Buy from Amazon UK

This series will post the whole of Appendix 1 of ‘A-U-M’ and, in general, each post will cover one verse of the Upanishad. This first post, however, covers the shAnti pATha – the traditional prayer at the beginning of an Upanishad – and Shankara’s introduction.

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The Final Paradox – ahaṃ brahmāsmi

Shankara’s explanation in Bhagavad Gita bhāṣya 2.21

[Note that this is a ‘stand-alone’ article which nevertheless supplements the material asking ‘Who am I?’ in the pratibandha posts beginning https://www.advaita-vision.org/pratibandha-s-part-5-of-7/. It provides a response to Venkat’s challenge at https://www.advaita-vision.org/verse1-of-drg-drsya-vivek-an-analysis-of/#comment-9797]

Reality is non-dual. All Advaitins know that this is the teaching, even if they have not yet succeeded in reconciling this with the appearance of the world and their own apparent individuality.

The Self does not act. The jñānī knows this. The well-known statement in Bhagavad Gita 5.8-9 tells us that: The balanced person who knows the truth thinks: ‘I do nothing at all; it is only the senses relating to their sense objects,’ even whilst seeing, hearing, touching, smelling, eating, going, sleeping, breathing, speaking, excreting or grasping; even just opening or closing the eyes. It is all simply the ‘play of the guṇa-s’, name and changing form, like the movement of waves on the surface of the ocean – all is always only water.

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Q.505 Creation and Enlightenment

Q: I am struggling to reconcile the empirical account of what may be called ‘creation’ (the Big Bang, followed by billions of years of mechanically unfolding interactions with no sense of self, until the absurdly *recent* emergence of consciousness after further millions of years of blind evolution) with the advaitic concept of ‘creation’ (the absolute Being, timeless and changeless, manifesting in Itself as experience). 

A: The ‘bottom line’ of Advaita is that there has never been any ‘creation’. There is only Brahman. Everything is Brahman. You are Brahman. The ‘universe’ is simply a ‘form’ of Brahman, to which you have given ‘names’ implying that there are separately existing entities.

The scriptures (from which Advaita derives) certainly give ‘empirical accounts’ of a creation. But these are interim explanations only to satisfy the enquirer temporarily until ready to accept the truth.

Science does attempt to rationalize consciousness as an emergent phenomenon, but it is doomed to fail because it cannot objectify the ultimate subject. See my article on ‘Consciousness – Not Such a Hard Problem’ beginning https://www.advaita-vision.org/consciousness-not-such-a-hard-problem-1-of-2/. Also https://www.advaita-vision.org/science-and-consciousness/. Science in general is intrinsically unable to address the problems dealt with by Advaita. See my 4-part article on ‘Science and the nature of absolute reality’ beginning https://www.advaita-vision.org/science-and-the-nature-of-absolute-reality-part-1/, which may contain useful pointers. And the 3-part article by Dr. Sadananda beginning https://www.advaita-vision.org/science-and-vedanta-part-1/

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Gaudapada on the Appearance of a world

The most “radical version of Non-dual teaching” goes back to Revered Gaudapada (of 5th or 6th CE) who forms a watershed mark in the Advaita tradition. With him started the human form lineage of teacher-disciple. (Before him it was a lineage of Sages preceded by the lineage of Gods – see here).

Gaudapada says that we are prisoners of an unwavering belief in cause-effect relationships. He avers that cause-effect relationships do not exist. For example, he writes:

नास्त्यसद्धेतुकमसत्सदसद्धेतुकं तथा ।
सच्च सद्धेतुकं नास्ति सद्धेतुकमसत्कुतः ॥  — 4.40, Gaudapada kArikA on mANDUkya Upanishad.

Meaning: The unreal cannot have the unreal as its cause. Nor can the real be produced from the unreal. The real cannot be the cause of the real. And it is much more impossible for the real to be the cause of the unreal. (Translation: Swami Nikhilananda). Continue reading

Q.489 Creation and reincarnation

Q: Is Ishvara/mAyA the one responsible for the form of the universe or is the jiva responsible for it?

If Ishvara/mAyA:

  • then who/what is Ishvara and how does it create the universe?
  • then how does adhyAsa come into the picture because if Ishvara is the creator then even if adhyAsa is removed then the appearance of the world will still be there.

If the jiva

  • then why does the world not disappear upon enlightenment (a jiva is responsible for the dream at night whilst asleep, therefore the dream disappears upon waking)

I have heard many examples of gold/ornament with regards to the universe and Brahman (Gold being brahman, the names/forms being the ornaments). I’m not sure I have fully grasped this comparison, in what sense does matter depend on Brahman?

I see that all things are experienced IN consciousness and therefore in that sense the world of objects/atoms/quantum fields etc depends on consciousness/Brahman because the world can not be experienced without consciousness. It doesn’t seem right to me, because it’s not something you could ever refute. Obviously we can’t experience the world without consciousness. Continue reading

The Great Indian Rope Trick:

The famous Indian Rope Trick is Shankara’s favorite to illustrate how the world or an individual separate ‘self’ originates. He says that it is like the mesmerizing show created by a Magician, himself being unaffected and uninvolved and standing unseen, “veiled magically,” on the ground. Here are three instances where Shankara refers to the Rope Trick in his Commentaries:

Shankara @ 7, Ch 1, Gaudapada kArikA on mANDUkya:

The magician throws the rope up in the sky, climbs by it with hands, disappears from sight (of the spectators), engages himself in a fight (in the sky) in which his limbs, having been severed, fall to the ground and he rises again. The onlooker, though witnessing the performance, does not evince any interest in the thought in regard to the reality of the magic show performed by the magician. Similarly, there is a real illusionist who is other than the rope and the one that climbs up the rope. Continue reading